He was joined by the Ruler of Ras Al Khaimah as well as other worshippers
Aily: We spent the first few months planning before we actually shot anything. This included location scouting, looking for sponsors, as well as editing the script with our scriptwriter and planning shots with our Director of Photography. Of course, there were differences but we always compromised, and overcame any issues we had.
Shaden: It was a good learning opportunity for us on how to work together and adapt to different creative perspectives.
Abdullah: While there were creative differences there were also technical aspects that had to be taken into consideration, which is what I was mainly involved in. So, it was definitely difficult to compromise between the technical and creative things, but we worked together for the best outcome.In today's world there is an abundance of content, be it on social media, movies or music.
Aily: There have been several adaptations of Stephen King's stories. What makes our version unique is the added humour and light aesthetics as opposed to the typical dark horror and thriller elements you would find in other renditions. It still touches upon a dark subject, but not in the way one might think.
Shaden: As producers, Abdullah and I considered the marketing aspect, which other students did not really delve into. We made an Instagram page @stationarybikemovie to help keep people updated and aware that this film is happening.
Shaden: It was a challenge for us to produce a project of this scale. The weather was a huge issue as we filmed during midsummer but the exterior scenes were crucial to the core of the film. So, making sure the crew, which consists of 12 students from our film department, are all well-fed and taken care of was difficult. There were also several issues with the locations, because as students it's hard to get permits for filming. We also did our own budgeting, which was a new thing to us, especially for a film of this scale compared to the smaller assignments that we are used to.
Abdullah: We often joke that we only work on sets where everything that can go wrong does! This was the first time we ever worked on such a large-scale project. Although the faculty of the university supported us, we were pushed to find solutions on our own to help us experience what real world filmmaking feels like.From the beginning, the pressure was immense and we were constantly reminded of that. We discovered how challenging it is for different people who all have differ-ent visions and expectations to work on putting a part of themselves into one project. Feasibility turned out to be an equal problem. Honestly, I can say in retrospect that all the challenges that felt overwhelming at the time, be it getting the necessary permits or handling the cast and working around impossible schedules, has been an incredible learning curve.
Aily: Have a good crew, en-courage each other, and don't give up!
Shaden: Even though it can be scary and challenging, you shouldn't be afraid to put your-self out there. It is also a great stepping stone in our careers; all projects are. So, work on as many things as you can if you get the chance.
Abdullah: This is going to sound cliché, but I think the best advice I can give is to persevere. So many times I thought "this could never work; there's no way we can actually pull this off." I wanted to give up before I failed. But I didn't. And somehow, we got through every challenge. And be nice to the people you work with and anyone you come in contact with. It sounds ridiculous, but you never know when you may need someone. Everybody knows something you don't. People can unexpectedly turn out to know something that can save the day. So don't be entitled; people will be more open to helping you then.
All: We are so ecstatic for Mr King to see what we've come up with. We tried our best to stay true to the core message of the story, as we've come to interpret it. What we would like to know is, how close are we to what Mr King was envi-sioning, because we know our version is way different from others and how he feels about the modernisation of the story.
Aily: Well, it's definitely not as expansive as other countries, but the future looks bright because that's what us film students are here for. The department is growing rapidly and the talents that are com-ing through the doors of our university are astounding. With more enthusiastic and hardworking young filmmakers now stepping forward, I see more films made in the UAE coming in the next few years, and hopefully we can shape a great industry in this country.
Shaden: I agree with Aily. It is slowly growing and the diversity of this country plays a huge role in shaping the future of film in the UAE.
Aily: I've been here half my life, and it has deeply impacted me as a person. Being raised in a highly multicultural society is an experience, I think, is unique. Dubai has also given me opportunities that I would not have had, had I been anywhere else.
Shaden: The diversity and modernity of Dubai helped form my identity and the way I tell stories.
Abdullah: Being from Jordan, I have already seen an entertainment industry. But I have grown up here and I wish the same for the UAE, that is why we are working hard to help develop the future of film.
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Sabeer's story is a blend of facing challenges head on, introducing ideas and demonstrating unwavering determination — all showcasing the strength of resilience and the relentless pursuit of aspirations