Adam Zacharias delves through the UAE’s latest cinema releases
Adam Zacharias delves through the UAE’s latest cinema releases
Jocelyn Noveck finds its ‘humanity’ the most appealing part of The Theory of Everything
For those who are looking for novelty and contemporary relevance, therefore, the fourth Indian language remake of the film, called Tevar in its Bollywood version, will offer nothing new.
Disney has chosen to take the middle ground here, cutting, smoothing and refining to create something more palatable to the masses.
Director Rajkumar Hirani’s PK is saccharine sweet even as it takes pot-shots at the follies in the name of faith, Deepa Gauri writes
This is the way The Hobbit ends: not with a whimper, but with an epic battle royale.
Prabhudheva knows just one formula; he has found success with it in Tamil cinema and even in Hindi so perhaps he sincerely believes that it can be recycled, refurbished and refitted to suit any actor and that the masses will blindly follow.
Ungli is let down by poor writing, sketchy characterisation and lacklustre execution, Deepa Gauri writes
The characters of the modern workplace comedy, like the rest of us, don’t know how to make a living anymore.
Happy Ending tries to take on the clichés in Bollywood and ends up being one itself, 
Deepa Gauri writes