The actor has been honoured twice by the Time Magazine
It's a tough one; I don't put explorer on my business card (laughs). I call myself a writer, because that's ultimately what I spend my time doing, it's usually writing. So in the simplest terms, it's coming back with the stories. But you know there is an element of exploration, genuine exploration. It's difficult to say, what is exploration in the 21st century? Surely, everything is mapped online, you know you can zoom in on Google Earth and see what's going on. Whilst that's true, there are vast parts of the world where people haven't been to or haven't been to in a very long time. Even in somewhere like Mexico, where I walked across last year, we were basically discovering pyramids that no one had excavated before.
I keep a journal, I try to write just a page or two everyday. But it's more the names of places, a bit of dialogue, the names of people - the details that if you don't write them down, then you'll forget them. And more generally though, I think the feelings of the journey I tend to remember those well. Then I write when I get back home. My writing schedule back home is usually to try to and get as much done in 6-8 weeks. As soon as I get back, I have one day off and then I'll be very disciplined. I'll work from 9 - 5 everyday just writing trying to do 1000 words a day - minimum - sometimes two or three thousand words; just get it done as quickly as possible.
The whole concept of writers block, for me anyways, comes down to, not planning the time properly. Because if you give yourself six months to write something, you'll take six months. If you give yourself six weeks, it will only take six weeks - you just have to be really disciplined.
The hardest part is the editing and turning what could be 150,000 words into 80,000 words. Getting it down and being ruthless about what you don't include. There is the temptation to write everything.
It's tough because on a trip, like the Nile trip for example, I'll take 4,000 photos, which I have to cut down to 40. I wanted to choose 40 to represent the journey and that's tricky because you kind of want to include the arty shots or the ones you're most proud of but ultimately that's not what its about. It's about putting that representative selection there. But I have an assistant who will look at those 4,000 photographs and turns them to 400 and then I will look at those and turn those into 100 and then I'll hand that over to publishers and they'll choose the 40. Sometimes you need that objective eye. You can't do it on your own, you can't be too protective with these things because then you'll never get it done.
It is a job now and I'm aware that we are working on timeframes and you have budgets and have a responsibility to come back with stuff. But at the same time you do sometimes just say, you know what? Today I'm not doing anything. I'm going to enjoy the moment, maybe take a few photos to remember the experience but you don't want it to be all work. I've found that the for the past eight or nine years I haven't been able to just have a normal holiday. Because I have to travel a lot. I've not just gone to sit on a beach or backpacked on my own. For the first time this year I did that and I went to Canada and the States. I left my camera behind, didn't take my laptop and just went travelling around for fun and it was great. It's good to remember why we do this in the first place, it's just to go and enjoy it.
The Nile was hard because I think it was nine months of travelling and also the uncertainty of not knowing. that was the first thing where I went all in. Before that trip I had nowhere to live, really live, I was staying at friends' places and I thought, you know what, I really have to do this. When I came back I had no idea whether it was going to be a success, whether the book would get published or whether the TV show would go out. When I got back, for three months I just thought even if this goes out on TV at 2am and no one watches it, I have to go out and get a job and earn money. And so there was a period of a few months where it was really hard to integrate because I was so emotionally and physically involved in walking and suddenly when it's over, I was like, what's next?
There is something very iconic about this great river, the longest river in the world and it has so many connotations. It really is the lifeblood of Africa. And certainly where I'm from in the UK, there is this connection, this history of exploration. It was a very wild place, I was going through a place like South Sudan, and Uganda where there were some real risks and dangers. By doing this journey by foot, experiencing it on ground level, you're exposing yourself to all these dangers. And it wasn't just getting from point A to point B, it was very interactive, it was about finding out more about the lives and stories of the people we met and that came across in the documentary and hopefully in the book as well.
My dream ever since I was a kid was to be a writer, so that was the original plan. So I was going to do the journey and write a book about it and then I was approached by the TV guys, who wanted to film it so that was a bonus. And obviously the TV helps with the book. I always wanted to write, the book came first, the TV was like a bonus really.
In 2010, I did five years in the army and I thought, I don't want to do this as a full-time career. I didn't like being told what to do (laughs). I just wanted to have a bit more freedom and you can't go from the army to a normal job cause I'd just be bored out of my mind. So I thought, well, I'm completely unemployable now, I need to work for myself. I was 27 or 28 and I thought if I don't do what I want now, I'll never do it. I thought I'll take a risk. I didn't have much savings, but I thought I'd invest it in travel, in memories and giving myself the best opportunities to write and to take photographs and indulge in my passion. I thought that was really a big risk and it paid off and it gave me the contacts and the credibility and everything that I needed to do what I'm doing now.
It was really hard. I was basically homeless for three years. Living on basically no money. It was cheaper for me to travel than to live in London. I mean rent and just living in London was so expensive that I figured if I kept travelling that it would be cheaper, so I just did any sort of jobs. I was doing wedding photography, I was writing for guide books, I ran a little expedition and travel company, taking people on journeys to interesting places. That's when I went mountain climbing in Iraq, we did camel trekking in the Sahara, I was the guide I was planning the logistics, organising the donkeys and camels. Also I was building up, hopefully, a reputation, within the travel community. And before I knew it, when you take these sorts of risks, you gain that element of credibility and they start coming to you.
It was good fun, but hard work, and I decided after I'd done that after a few years, now that I've built that platform, now is the time to go and do a big epic journey, and that was where the inspiration for the Nile came from. I knew that I had to go and do something that no one had ever done before to achieve my dream, which was to write a book about travel. Luckily it paid off.
Yes, well humans are designed to walk. People can relate to it, if you're travelling on foot, they think, I can do that, I can walk. Maybe they don't want to walk for 4,000 miles, but it's more accessible mentally. If I rode on a bicycle, I don't think it would have worked, because people wouldn't relate it. But most people can walk right?
The world is a big place but I think for me the writing is just as important as the journey. So I might diversify and write about things that isn't just travelling.
The actor has been honoured twice by the Time Magazine
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